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Illustration of a bird flying.
  • भ्रमाचा भोपळा – BHRAMACHA BHOPALA (BUBBLE OF ILLUSION)

    This Ghazal is written in Akshargan vrutt. Vrutt is LA GAA GAA GAA , LA GAA GAA GAA, LA GAA GAA GAA, LA GAA GAA GAA. In this Ghazal the poetess says, Now I really want to speak about past things; I want to sing that song again because I can’t avoid that song. अता…

    December 15, 2012
  • दहिवर – DAHIVAR (DEW)

    This Ghazal is written in twenty-four(24) matras. Here Radif is ‘Bagh(बघ) and kafiyas are halavanaar, hasavanaar, fulavanaar etc. Dahivar(दहिवर) means dewdrops. In this Ghazal the poetess believes that, dewdrops have power of creating emotions in stones and rocks. Rays of morning sun are able to creat smile on faces of crickets(रातकिडे). दहिवर हळवे दगडांना या…

    December 14, 2012
  • निर्धूम अग्नि – NIRDHOOM AGNI (SMOKELESS FIRE)

    Smokeless flame is pure flame. Omkar means pure soul. Pure soul means complete knowledge without any doubt,fear or ego. Our name may not explain absolutely everything about us; But name helps in explaining a lot about us. In this Ghazal the poetess says, you should search for truth and positivity in your name and try…

    December 13, 2012
  • तुरुंग – TURUNG (JAIL)

    This Ghazal is written in fourteen matras. In this Ghazal Radif is ‘Mee’. Kafiyas are Baaraa, Taaraa, Bhaaraa, Kaaraa, Naaraa, Daaraa, Chaaraa, Zaaraa, Vaaraa, Dhaaraa. डझन म्हणूकी बारा मी स्टार म्हणूकी तारा मी डोईवरच्या कळसाला भार म्हणूकी भारा मी तव नजरेचा तुरुंग हा कैद म्हणूकी कारा मी जयकाराच्या जपास या घोष म्हणूकी नारा मी बारा…

    December 12, 2012
  • गृहिणी – GRUHINEE (HOUSEWIFE)

    This article describes how families in jain community play important role on national and international level. Housewife in jain family  plays important role in building character of our own family and our nation also. Jain families follow the basic principle i.e. purity of mind. गृहिणी – कुटुंबाचा आधारस्तंभ दक्षिण भारत जैन महिला परिषद ३ एप्रिल…

    December 12, 2012
  • मायबोलिचा बाज- MAAY BOLICHAA BAAJ (THE STYLE OF THE MOTHER TOUNGE)

    This Ghazal is written in fourteen(14) matras. Here Radif is ‘nako’. This Ghazal is savati kafiya(सवती काफिया) Ghazal, because in matala kafiyas are dhot(धोट) and goth(गोठ). Pronunciation of dhot and goth is different in marathi language. In this Ghazal the poetess says, ‘I don’t want fair colour. I don’t want ornaments like bangles(कंकण, गोठ) in my…

    December 11, 2012
  • स्वरसुधा – SWARSUDHA (NECTAR OF MUSICAL NOTES)

    This Ghazal(12 matras) is mishr(mixed) Ghazal. In this Ghazal first line of sher is in Marathi language and second line of sher is in Hindi language. This Ghazal is written in twelve(12) matras. In this Ghazal the poetess says to her own mind, ‘Let you be a summer or winter; let you be a smile, a…

    December 10, 2012
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    • कथा फुलांच्या – Katha Phulanchya