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निर्धूम अग्नि – NIRDHOOM AGNI (SMOKELESS FIRE)
Smokeless flame is pure flame. Omkar means pure soul. Pure soul means complete knowledge without any doubt,fear or ego. Our name may not explain absolutely everything about us; But name helps in explaining a lot about us. In this Ghazal the poetess says, you should search for truth and positivity in your name and try…
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मायबोलिचा बाज- MAAY BOLICHAA BAAJ (THE STYLE OF THE MOTHER TOUNGE)
This Ghazal is written in fourteen(14) matras. Here Radif is ‘nako’. This Ghazal is savati kafiya(सवती काफिया) Ghazal, because in matala kafiyas are dhot(धोट) and goth(गोठ). Pronunciation of dhot and goth is different in marathi language. In this Ghazal the poetess says, ‘I don’t want fair colour. I don’t want ornaments like bangles(कंकण, गोठ) in my…
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स्वरसुधा – SWARSUDHA (NECTAR OF MUSICAL NOTES)
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आरजू – AARJU (DESIRE)
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दिल्लगी – DILLAGI (PLEASANTRY)
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देखावे – DEKHAVE (SCENE)
Marriage is one of the happiest moment in human beings life. This Ghazal shows importance of marriage through various angles. Radif of this Ghazal is ‘Dekhave sajale’ and kafiyas are fulavaya, jamavaya, ujalaya, katavaya, udhalaya, bharavaya. This Ghazal is written in twenty-two(22) matras. Vrutta- GAA GAA GAA, GAA GAA GAA, GAA GAA GAA, GAA GAA.…
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अद्दल खाशी- ADDAL KHASHI (PROPER LESSON)
This Ghazal is written in matravrutt(16 matras). Radif is ‘yaannaa’ and kafiyas are kalel, basel, rakhel, ghadel etc. In this Ghazal some social and critical problems are discussed . पोळीची चव कळेल यांना चापट जेव्हा बसेल यांना पंख कागदी हवा मस्तकी बिसलेरीही चढेल यांना घरात पत्नी गुणी देखणी तरी लागते रखेल यांना कासाराचा हात मोडती…