सुनेत्रा नकाते

Tag: MARATHI NISARG KAVITA

  • मायबोलिचा बाज- MAAY BOLICHAA BAAJ (THE STYLE OF THE MOTHER TOUNGE)

    This Ghazal is written in fourteen(14) matras. Here Radif is ‘nako’. This Ghazal is savati kafiya(सवती काफिया) Ghazal, because in matala kafiyas are dhot(धोट) and goth(गोठ). Pronunciation of dhot and goth is different in marathi language. In this Ghazal the poetess says, ‘I don’t want fair colour. I don’t want ornaments like bangles(कंकण, गोठ) in my…

  • स्वरसुधा – SWARSUDHA (NECTAR OF MUSICAL NOTES)

    This Ghazal(12 matras) is mishr(mixed) Ghazal. In this Ghazal first line of sher is in Marathi language and second line of sher is in Hindi language. This Ghazal is written in twelve(12) matras. In this Ghazal the poetess says to her own mind, ‘Let you be a summer or winter; let you be a smile, a…

  • आरजू – AARJU (DESIRE)

    This Ghazal is mishr(mixed) Ghazal. In this Ghazal first line of sher is in Hindi language and second line of sher is in Marathi language. Radif of this Ghazal is ‘Jaa’. Pronunciation of  word ‘Jaa’ is different in Marathi and Hindi language. vrutta is GAA LA GAA GAA, GAA LA GAA GAA, GAA LA GAA…

  • दिल्लगी – DILLAGI (PLEASANTRY)

    This Ghazal is mishr(mixed) Ghazal. In this Ghazal first line of sher is in Hindi language and second line of sher is in Marathi language. Vrutta- GAA LA GAA GAA, GAA LA GAA GAA, GAA LA GAA GAA, GAA LA GAA. चौदवीकी रात साकी इक नशीला जाम तू चांदण्यांनी पोळलेल्या लेखणीचे काम तू गीत गाये…

  • देखावे – DEKHAVE (SCENE)

    Marriage is one of the happiest moment in human beings life. This Ghazal shows importance of marriage through various angles. Radif of this Ghazal is ‘Dekhave sajale’ and kafiyas are fulavaya, jamavaya, ujalaya, katavaya, udhalaya, bharavaya. This Ghazal is written in twenty-two(22) matras. Vrutta- GAA GAA GAA, GAA GAA GAA, GAA GAA GAA, GAA GAA.…

  • अद्दल खाशी- ADDAL KHASHI (PROPER LESSON)

    This Ghazal is written in matravrutt(16 matras). Radif is ‘yaannaa’ and kafiyas are kalel, basel, rakhel, ghadel etc. In this Ghazal some social and critical problems are discussed . पोळीची चव  कळेल यांना चापट जेव्हा बसेल यांना पंख कागदी हवा मस्तकी बिसलेरीही चढेल यांना घरात पत्नी गुणी देखणी तरी लागते रखेल यांना कासाराचा हात मोडती…

  • एक पाहिले एक ऐकिले – EK PAHILE EK AIKILE (ONE I LISTENED ONE I SAW)

    . The word ‘mee'(मी) in the second line of Matala(first sher) stands for ego in human beings. एक पाहिले एक ऐकिले किती किती ‘मी’ तुला टोचले पाडस माझे सशास घेउन सूर्यावर बघ अता पोचले बरेच झाले तसेच केले ओघळलेले रक्त पेरिले लोचन डोळे नयन नेत्र घन चक्षू माझे तृप्त जाहले आज ‘सुनेत्रा’ मुक्तछंद जल मृग…