Tag: Ghazal in maatraa vrutta

  • दहिवर – DAHIVAR (DEW)

    This Ghazal is written in twenty-four(24) matras. Here Radif is ‘Bagh(बघ) and kafiyas are halavanaar, hasavanaar, fulavanaar etc. Dahivar(दहिवर) means dewdrops. In this Ghazal the poetess believes that, dewdrops have power of creating emotions in stones and rocks. Rays of morning sun are able to creat smile on faces of crickets(रातकिडे). दहिवर हळवे दगडांना या…

  • तुरुंग – TURUNG (JAIL)

    This Ghazal is written in fourteen matras. In this Ghazal Radif is ‘Mee’. Kafiyas are Baaraa, Taaraa, Bhaaraa, Kaaraa, Naaraa, Daaraa, Chaaraa, Zaaraa, Vaaraa, Dhaaraa. डझन म्हणूकी बारा मी स्टार म्हणूकी तारा मी डोईवरच्या कळसाला भार म्हणूकी भारा मी तव नजरेचा तुरुंग हा कैद म्हणूकी कारा मी जयकाराच्या जपास या घोष म्हणूकी नारा मी बारा…

  • मायबोलिचा बाज- MAAY BOLICHAA BAAJ (THE STYLE OF THE MOTHER TOUNGE)

    This Ghazal is written in fourteen(14) matras. Here Radif is ‘nako’. This Ghazal is savati kafiya(सवती काफिया) Ghazal, because in matala kafiyas are dhot(धोट) and goth(गोठ). Pronunciation of dhot and goth is different in marathi language. In this Ghazal the poetess says, ‘I don’t want fair colour. I don’t want ornaments like bangles(कंकण, गोठ) in my…

  • स्वरसुधा – SWARSUDHA (NECTAR OF MUSICAL NOTES)

    This Ghazal(12 matras) is mishr(mixed) Ghazal. In this Ghazal first line of sher is in Marathi language and second line of sher is in Hindi language. This Ghazal is written in twelve(12) matras. In this Ghazal the poetess says to her own mind, ‘Let you be a summer or winter; let you be a smile, a…

  • देखावे – DEKHAVE (SCENE)

    Marriage is one of the happiest moment in human beings life. This Ghazal shows importance of marriage through various angles. Radif of this Ghazal is ‘Dekhave sajale’ and kafiyas are fulavaya, jamavaya, ujalaya, katavaya, udhalaya, bharavaya. This Ghazal is written in twenty-two(22) matras. Vrutta- GAA GAA GAA, GAA GAA GAA, GAA GAA GAA, GAA GAA.…

  • एक पाहिले एक ऐकिले – EK PAHILE EK AIKILE (ONE I LISTENED ONE I SAW)

    . The word ‘mee'(मी) in the second line of Matala(first sher) stands for ego in human beings. एक पाहिले एक ऐकिले किती किती ‘मी’ तुला टोचले पाडस माझे सशास घेउन सूर्यावर बघ अता पोचले बरेच झाले तसेच केले ओघळलेले रक्त पेरिले लोचन डोळे नयन नेत्र घन चक्षू माझे तृप्त जाहले आज ‘सुनेत्रा’ मुक्तछंद जल मृग…

  • गुलाबात मी – GULAABAAT MEE (MY EXSISTANCE IS IN EVERY BEAUTIFUL THING)

    In this ghazal the poetess says, ‘My exsistance is in every beautiful thing; it is in still and clean water pond and it is in rose flower. तडागात मी गुलाबात मी फुलात लपल्या परागात मी पौर्णिमेतल्या प्रकाशात मी स्वर-नुपुरांच्या निनादात मी प्राजक्ताच्या सुवासात मी आठवणींच्या महालात मी बिंब देखणे सुनेत्रात मी