This ghazal is written in 16 matras. Here radif is Hilaa and kafiyas are dhaval, bakul, naval etc. रंगीत म्हणूकी धवल हिला प्राजक्त म्हणूकी बकुळ हिला ही रूप बदलते क्षणोक्षणी मी सत्य म्हणूकी नवल हिला ही वेलांटी मम श्वासाला मी वक्र म्हणूकी सरळ हिला ही नजर तुझीकी नजराणा मी तीर म्हणूकी गझल हिला अंदाज कधीही ना…

This Ghazal is known as trivar kafiya Ghazal. Here in the second line of each ‘Sher’ kafiya comes three times. In this Ghazal Kafiyas are Manthan, Nandan, Bandhan, Spandan, Chandan, Kandan, Kankan. Nandan comes with Abhi and Kandan comes with Ran. This Ghazal is written in Matravrutta. It contains eighteen(18) matras. फिरवून लेखणी समुद्र मंथन अभिनंदन!…

In this Ghazal Radif is ‘mee’ laa mee. This Ghazal is written in Matravrutta. It contains Thirty matras. Here Mee means our exsistance. Here ‘mam’ means I, My, Myself. दुरून  बघते हळूच हसते माझ्यामधल्या ‘मी’ ला मी हसता हसता रडणाऱ्याही हृदयी उरल्या ‘मी’ ला मी कुणी म्हणावे गळून जा तू कुणी म्हणावे जळून जा कशी…

Radif of this Ghazal is ‘Abir udhala Gulal udhala ‘. This Ghazal is written on some critical problems in society. In the last sher the poetess wants to live happily without anxiety, fear and thirst. फाशी देउन जलाद रडला अबीर उधळा गुलाल उधळा किती दिसांनी देव हासला अबीर उधळा गुलाल उधळा शुद्ध बीज अन फळे…

In this Ghazal(16 matras) the poetess says, the God exsists in our heart. So don’t waste your time in finding the God outside. Here Radif is directly absent but indirectly we can see it, beautifully dissolved in Kafiya. कशास देउळ, कशास अंबर; देहच माझा घडीव मंदिर! मुखकमलाचा, कळस झळकतो; कर्ण, नासिका, पर्णे सुंदर! विश्वामधले, देव…

 This Ghazal is written in thirty-two matras. Radif of this Ghazal is ‘shyamal shyamal’. It means deep black. Kafiyas used here are Hirava(green), Halava(sensitive minded), Rusava, Mitava(dear person), Fulava, Marava(a type of colour, fragrant plant), Zulava(swing tied to the branches of trees) In this Ghazal the poetess says, my mind becomes happy and sensitive in…