-
चिमण-पाखरा – CHIMAN-PAKHARA
This Ghazal is written in 32(thirty two) matras. Radif of this Ghazal is ‘Zadakhali.’ ‘Zadakhali’ means under a tree. In the second sher of this Ghazal it is said that, on the earth, the wind, the water, doesn’t belong to a single person. It belongs to all living beings. We should be happy within what…
-
किती दिवस मी रदीफ व्हावे – KITI DIVAS MEE RADIF VHAVE
Radif and kafiya are special terms in Ghazal. Radif adds beauty and charm to a Ghazal. Ghazal without Kafiya is not in the right form. Kafiya gives peculiarity to Ghazal. Ghazal without kafiya has no value. In this Ghazal in the first sher (matala) poetess says, ‘I am a woman. I too an important person…
-
गुलाब तो तर काट्यामधला – GULAB TO TAR KATYAMADHALA
In the third sher of this Ghazal, the poetess says, love is not like a lily (Mogara) flower. Love is like a Rose flower. Roses have thorns because they are valuable. Rose flower is nature’s beautiful gift to us. There are thorns around rose flower to protect it from bad things. The poetess says, pure…
-
उत्सव – UTSAV
‘Utsav’ means festival or happiest moment in our life. In this Ghazal the word ‘Utsav’ is used as Radif. Spring season is the king of all seasons. In Spring season the earth celebrates Utsav. This Ghazal is written in 24(twenty-four) matras. कुणाकडे ती पाहुन हसली वदला उत्सव जाता जाता वाटेवरती अडला उत्सव मी असताना हवा…
-
जिथे तिथे मी तुला ऐकते – JITHE TITHE MEE TULA AIKATE
In the first sher of this Ghazal, the poetess says, she hears God’s voice everywhere. She says sound of God’s footsteps makes her go crazy with joy. She wonders, small things about God can give so much joy then how he would be in reality. जिथे तिथे मी तुला ऐकते, कधी गीत मम बनशिल रे? चाहुल इतुकी…
-
सोड गड्या पंचांग रे – SOD GADYA PANCHANG RE
This ghazal is writtem in 13(thirteen) matras. In the first sher(matala) of this Ghazal poetess asks question to her mind, who is turning our Earth unknowingly? In every sher of this Ghazal some questions are asked. we shall know the answers of these questions only when we try to become a true man. कोण फिरविते सांग रे…
-
पण रिक्त रिक्त रात्र – PAN RIKT RIKT RATRA
In this Ghazal the poetess feels that night is very very empty. The radif in this Ghazal is ‘PAN RIKT RIKT RATRA’ kafiyas are the verbs like aalavit, pakhadit etc. Vrutta- GAA GAA, LA GAA LA, GAA LA GAA, GAA LA GAA LA GAA LA नेत्रात धुंद प्रीत पण रिक्त रिक्त रात्र अधरात मुग्ध गीत…